Posts Tagged ‘Writing’

Jurassic World

Excerpt from:

Jurassic Court: Inside the Proceedings of the Jurassic World Incident

By Michael Winston

A little over two decades ago John Hammond sat in the very same courtroom in San Diego that Claire Dearing, the now former Jurassic World Senior Assets and Operations Manager, sits- under very similar circumstances.  As the proceedings began the room was painfully still and quiet. Everyone was tense, especially Ms. Dearing.

A year and a half ago on the island of Isla Nublar an animal we now know to be the Indominus rex (a new carnivorous dinosaur which was set to be an upcoming new attraction to the park at the time) had broken out of its enclosure. In doing so several employees of the park were killed as it began its rampage across the island towards the main resort. The creature also broke through and subsequently caused the release of several other species of animals on the island, including the park’s aviary which released Jurassic World’s dangerous pterosaurs upon visitors. The parks guests and most of the staff had little to no warning and no means of escape, and subsequently many were injured or worse. It wasn’t until darkness had begun to fall on the island before the first ferry arrived on the island to take people away from the nightmare to a medical center on the mainland.

While there are many more factors and individuals involved, Ms. Dearing has come under intense fire of her handling of the situation. “It was a very unforeseeable accident,” she had said last month before a preliminary hearing. “Nobody could have guessed what was going to happen, and it was very unfortunate.” She then went on to say that while certain strategies could have been followed through better to ensure guest safety, she claimed that she had done all she possibly could.

Many are saying that it was not enough, especially after word got out that after the initial breakout of the Indominus she had ordered all of the rides and attractions north of the resort closed, but then quickly disappeared from her post leaving it to her subordinates to take control of the situation.

“She just left her staff high and dry, and ran off,” said head prosecution lawyer Bob Morris. There have been claims that Dearing was actually off with park staff member Owen Grady, attempting to rescue her two nephews that were also present on the island the day of the incident. “Look,” continued Morris, “she had a job to do and she failed to do it. Her incompetence led to the death and injuries of thousands. The creature should have never broken out of its paddock, people should have been evacuated earlier- it’s just as simple as that. She dragged her feet and then left the situation for others to handle. It’s inexcusable.”

A long year and a half of stipulation, scrutiny, and investigations over Ms. Dearing’s performance on the island resort of Jurassic World are finally coming to a head, and while this may not answer all of the burning questions about what happened, in the coming weeks there are bound to be at least a few answers.

“Jurassic Park”, “The Lost World: Jurassic Park”, “Jurassic Park ///”, “Jurassic World” are Trademarks of Universal Studios, Legendary Pictures, and Amblin Entertainment.

When I started this blog I intended on it being nothing more than a place where I can review and discuss films, plays, and books- mainly those of a horror persuasion. Obviously it has evolved in to a little more than that, but still it has been built on that basic cornerstone.

As I was going through some of my past posts though I couldn’t help but notice… there is only one [horror] book review, for Let’s Go Play at the Adams’. And the review, if you notice, isn’t super positive. Now Let’s Go Play was a book that was not just recommended to me by several acquaintances but was on pretty much every “must read” list for those wanting a terrifying story. Yet when I read it… at no point was I terrified. I’ve been thinking about that a lot lately on top of the fact that I haven’t written any other horror book reviews. It isn’t for lack of reading any. I’ve read Chuck Palahniuk’s Haunted, Ray Bradbury’s  Something Wicked This Way Comes and several others and it’s not that I didn’t enjoy any of these books (on the contrary many of them are very well written and gripping in their own right) it’s just that they aren’t scary and I want to write reviews about books that really put me on edge- books I’d gladly recommend to others who are constantly on a search for stories that chill you to the bone. I have spent hours on the internet looking up horror novel/story recommendations and reviews in search for those tales that keep me up late at night, both because they have me in their clutches and because I’m afraid to turn out the lights. But for some reason… it’s really hard to find such books.

Now before any of you go and crucify me I understand that good horror is actually not that hard to find. All you really have to do is go to the library isle that is marked F – Kin, and walk only a few feet in. At the same time though horror really is difficult to accomplish through literature, I feel and I think that boils down to two main reasons: 1.) it’s hard to sustain suspenseful/terrifying tension in literature and 2.) horror is subjective.

For reason #1 – Some of the best horror I have ever read are short[er] stories. The Hellbound HeartPsycho, any of Poe’s work, most Lovecraft, tons of works put in to anthologies of horror, and (not even joking on this) Goosebumps and Scary Stories to Tell in the Dark. There is obviously plenty of good longer horror stories, once again- look back to the master, King. But even some of his best work is short stories/novellas.

The kind of strain and tension created by horror is hard enough to sustain with visual images (be it film, or theater), but I think it’s even harder to an extent with literature/words. Yes, the imagination is sometimes worse than reality or pictures but to initially be able to tap in to the imagination of your audience in the first place I think is a struggle. Then to hold their attention is a whole other issue. That was one of my biggest complaints with Haunted. Palahniuk wrote an amazing first chapter (Guts) which, while not scary, really had me reeling because of how I was able to picture it in my mind. But after that chapter the book just became a bore because he never was able to match the magic he worked in that initial chapter. And you are a straight up liar if you think classics like Dracula don’t have the same problem. They’re classics, and yes- Dracula does have some scary moment, but it is a bear to get through. Same with Frankenstein, which is actually one of my top five books.

If you can hook your audience and keep them on the line for an entire novel… that’s a feat. That’s why I think shorter works work better sometimes with horror. You hook your audience, and then proverbially release them soon after (although, the best stories never truly “leave” us do they?)

Now, for reason #2- Horror is subjective. What scares you may not be the same thing that scares me. Let’s Go Play is a prime example. Rape, to me, is not scary. It is a horrific act that is evil, but it’s not scary. I believe that it is a super cheap way to get under the audience’s skin. But plenty of people have read this book and love it and said that it really messed with them and was one of the scariest books they ever read.

Another issue is that the way you picture something the author is describing may not be the same way I picture something. With film, theater, or even comic books/graphic novels- it’s all laid out. You see the image they want you to see, and it’s in the open.  But in a book the author has to paint that picture for the audience and sometimes it’s very specific (ala King,) sometimes it’s left more to the imagination, and other times it sits right in the middle.  Horror is a mixture of describing the scene/atmosphere, the emotions, and the ultimate horror the characters are facing. That’s a lot of factors the author has to mesh together. And with horror being such an unstable craft it’s hard to get all those factors right. Now I’m not saying that ALL of them need to be spot on, but that general mixture needs to be at least somewhat solid for the terror to resonate with your audience. A lot of times, in longer texts, authors start off really well or eventually get to a nice spot where all the factors come together… but at some point it just kind of fizzles and the author tends to pull focus on only one of the elements, and forgets to give the others some attention. House, by Frank Peretti and Ted Dekker is actually a book I think combines all of these elements well. Say what you want about Christian horror but this book, I think, combines a great atmosphere, with some great horror moments, and some real emotions. This formula is also why I think Pet Semetery is one of Stephen King’s greatest works. He crafted an absolutely heart wrenching story about a family losing their child, and then built out the atmosphere and some of the most horrific moments I have ever read. Some of the latter parts of that book still stain my mind with imagery that makes me shutter. I read that book about three years ago, and it was the last book I’ve read that really ever scared me to the point that I had to stop reading it for a length of time.

While there is plenty of good horror in the world of literature, both short and long, I believe that it’s a hard craft to crack. Also, ultimately you have to be the own judge of what scares you. I’ve read many a recommended stories that people have claimed to be “real shockers” only to read them and have my psyche unscathed by the encounter. Obviously I won’t stop taking recommendations, and if any of you readers have some out there (that I haven’t ready (which there is plenty I haven’t listed)) go ahead and post them and I’ll give them a read!

I really would like to start doing more horror lit reviews, which maybe I’ll just have to start doing reviews on short stories and from time to time do some novels- should I find one I think is scary enough. But until then I’ll remain on the lookout, for that elusive book that I hope will be so scary… that I have to force myself to finish it. That’s the kind of horror novel I want.